Death, Friendship, and the Power of Words: Liesel Meminger’s Traumatic Story in Markus Zusak’s The Book Thief, by Jerusha Yoder.The Revealing Voice of Death: Liesel’s Encounter with Trauma, by Jerusha Yoder.A Close Encounter with Death: Narration in Markus Zusak’s The Book Thief, by Erin M.Visualizations of Death and Their Relevance to Markus Zusak’s The Book Thief, by Jordan Bailey.A Survey of Interviews with Marcus Zusak about His Novel The Book Thief, by Kelly Snyder.Germans and the Holocaust: “We Didn’t Know,” by Lindsay Huysentruyt.“Kriegskinder,” Bombing, and Markus Zusak’s The Book Thief, by Robert C.“Righteous Gentiles” and Markus Zusak’s The Book Thief, by Robert C.Zusak’s The Book Thief in the Context of Holocaust Literature, by Eric Sterling.Salinger.įollowing these four Critical Context essays is the Critical Readings section of this book, which contains the following essays: The final essay, “Language and Morality in Novels by Twain, Salinger, and Zusak ,” compares and contrasts the work of Zusak, Mark Twain, and J.D. Evans and Caitlin Mattera respectively. The first, “Teaching Literary Criticism Using Reviews of Markus Zusak’s The Book Thief: An Experiment in Critical Pluralism,” offers a particular critical lens by examining numerous newspaper and magazine reviews of The Book Thief. This is followed by a piece written by Joyce Ahn, “Markus Zusak’s The Book Thief: A Survey of Academic Criticism.” The following two articles are written by Robert C. This section opens with an article by Lindsay Huysentruyt titled, “Hitler, Hope, and the Autobahn: ‘But the Lord sent us our Führer and he fed us,’” which draws on interviews with Germans who lived under Hitler. Evans.Ī collection of four critical contexts essays are intended to treat the novel (1) from a historical vantage point, (2) in terms of its critical reception, (3) using a specific critical lens, and (4) by comparing and contrasting it with another important work. This is followed by a Biography of Markus Zusak, written by volume editor Robert C. It begins with an introductory piece-“ The Book Thief, Death, and Me,” by Michelle Ann Abate-designed as an interview to introduce readers to some of the major issues treated in the volume as a whole. This volume, like all others in the Critical Insights series, is divided into several sections. This volume explores Zusak’s work from diverse perspectives, setting it in various contexts and examining the traits that make it a significant work of literature. Set during one of the most important places (Nazi Third Reich) and periods (WW II) in twentieth-century history, the novel emphasizes the value of family, love, literature, and friendship and the ways these influences help people cope during the darkest times. Markus Zusak’s 2005 novel The Book Thief became an instant international best-seller, was translated into over 60 languages and was made into a major motion picture.

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